You can do this – honest, you can do this: Become a Patron!
Over to the 1986 Chicago Jazz Festival this week for a set by Spanish Pianist Tete Montoliu and Danish bassist Niels-Henning Orsted-Pedersen.
Notes from Wikipedia:
Tete Montoliu was born blind, in the Eixample district of Barcelona, Spain, and died in the same city. He was the only son of Vicenç Montoliu (a professional musician) and Àngela Massana, a jazz enthusiast, who encouraged her son to study piano. Montoliu’s earliest piano teaching took place under the tutelage of Enric Mas at the private school for blind children he attended from 1939 to 1944. In 1944, Montoliu’s mother arranged for Petri Palou to provide him with formal piano lessons.
From 1946 to 1953, Tete Montoliu studied music at the Conservatori Superior de Música del Liceu in Barcelona, where he also met jazz musicians and became familiar with the idiom in jam sessions. During the early stages of his career, Montoliu was particularly influenced by the music of U.S. jazz pianist Art Tatum, although he soon developed his own style. (Coincidentally, Tatum was also impaired with extremely limited vision). Montoliu began playing professionally at pubs in Barcelona, where he was noticed by Lionel Hampton on 13 March 1956. Montoliu toured with Hampton through Spain and France and recorded Jazz Flamenco.
In 1967, Tete Montoliu performed in New York City with bassist Richard Davis and drummer Elvin Jones. Two concerts at the Village Gate in April were recorded for the Impulse! label, but an album was never released. He frequently appeared in Madrid during the 1960s at the Whiskey Jazz Club with musicians Pedro Iturralde and singer Donna Hightower. During the 1970s, Montoliu travelled extensively throughout Europe. During the 1980s, he performed in concerts with musicians such as Dexter Gordon, Johnny Griffin, George Coleman, Joe Henderson, Dizzy Gillespie, Chick Corea, Hank Jones, Roy Hargrove, Idris Muhammad, Herbie Lewis and Jesse Davis, among others.
In 1996, shortly before his death a year later, Spain paid public tribute to Tete Montoliu for his 50-year career in jazz.
Niels-Henning Ørsted-Pedersen was born in Osted, near Roskilde, on the Danish island of Zealand, the son of a church organist. As a child, Ørsted Pedersen played piano, but from the age of 13, he started learning to play upright bass and at the age of 14, while studying, he began his professional jazz career in Denmark with his first band, Jazzkvintet 60 (Danish for Jazz Quintet 60). By the age of fifteen, he had the ability to accompany leading musicians at nightclubs, working regularly at Copenhagen’s Jazzhus Montmartre, after his debut there on New Year’s Eve 1961, when he was only 15. When seventeen, he had already turned down an offer to join the Count Basie orchestra, mainly because he was too young to get legal permission to live and work as a musician in the United States.
The Montmartre was a regular stop-off for touring American Jazz stars, and as a member of the house band, the young Ørsted Pedersen performed with saxophonists such as Booker Ervin, Sonny Rollins, Dexter Gordon, Rahsaan Roland Kirk and Stan Getz, and pianist Bill Evans, with whom he toured in Europe in 1965. During the 1960s, Pedersen played with a series of other important American jazzmen who were touring or resident in Denmark, including Ben Webster, Brew Moore, Bud Powell, Count Basie, Roy Eldridge, Dizzy Gillespie, Jackie McLean, and vocalist Ella Fitzgerald.
He is perhaps best known for his extensive collaboration with Oscar Peterson from 1972 to 1987. His predecessor, Ray Brown, thought highly of the Dane and regarded him as the only upright bassist equal to the task of keeping up with the pianist. He was awarded Best Bass Player of the Year by DownBeat Critics’ Poll in 1981.
Dive in. The notes are fine.
